Alma Wolfson was born in 1942. Between 1960 and 1964 Wolfson studied under Robert Stewart at Glasgow School of Art and gained her Diploma of Art (Textile Design). She has exhibited at many solo and mixed UK and Scottish exhibitions. In the process, her paintings have won awards including: Barclay Lennie Award Glasgow Society of Women Artists 1995; Millers Art Prize Paisley Art Institute 1995; Southern Art Club Trophy 1995 & 1998; Alva Purchase Prize SAAC 1998; Save the Children Award 2000.
Member and Past President of GSWA and The Southern Art Club.
Alma has exhibited throughout the UK including at the Royal Academy, London and the Royal Scottish Academy, Edinburgh. She is a long-time exhibitor with Compass Gallery and Gerber Fine Art. Her work is held in many private and public collections including The Scottish Arts Council; Bank of Scotland; University of Glasgow and Painting in Hospitals.
Up until the late eighties her paintings were completed in gouache. After joining the Glasgow Southern Art Club she was encouraged to switch to oils and hasn't looked back.
Wolfson loves painting 'en plein air' in the Scottish landscape. She works in both oil and watercolour. Her painterly approach is suited and used to great effect when painting Landscapes or Seascapes. She is equally at home in her studio producing Still Life paintings. However it is the continuously changing Scottish weather patterns which are a constant source of inspiration and challenge.
Alma says “Careful consideration is not me: Turner was a pioneer on the spot painter and the excitement shows. I also love Claude Lorraine who was not! His timeless romanticism captivates me, I want to be there in his landscapes in the soft golden afterglow of a hot day.” Inspired by the works of Joan Eardley and William Gillies, she has developed her own style of painting, capturing many earthy colours, the effects of the weather and the changing light and atmosphere of Scottish landscapes in all seasons, embedding her own personal responses into her work.
Wolfson says “Painting and drawing are two separate activities for me. It is the feel of the paint on the brush, the inexactitude of the marks of a loaded brush, it is a record of my feelings on that day in that place, not a postcard of the view. The quality and fluidity is important, the manipulation of paint, pencil or pastels is like music, there are as many ways to compose a painting, as there is to compose a piece of music, each is unique.
Awards:
2025 P.A.I. The Art Club Award
2025 G.S.W.A. Special Award for outstanding work
2023 P.A.I. House for an Art Lover Award
2011 Concept Fine Art Award, PAI
2010 Henderson Award, Southern Art Club
2000 Save the Children Award
1999/1995/2023 Southern Art Club Trophy
1998 Alva Computer Purchase Prize SAAC
1998 The Laing Landscape Competition – Finalist
1995 Barclay Lennie Award, Glasgow Society of Women Artists
1995 Millers Art Prize, Paisley Art Institute
Alma Wolfson DA PAI
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Alma Wolfson DA PAI
A Mixed Bunch
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Alma Wolfson DA PAI
My Toy Horse
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Balvicar Bay
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Perthshire Landscape
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Beyond Luing
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Evening Clouds
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Snow on the Campsies
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Lockdown Walks
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Rooftops
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Winter reflections Perthshire
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Dawn Light
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Passing shower, Perthshire
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Evening on the Clyde, Dumbarton Rock in fading light
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Night Garden
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Farmhouse, Thortonhall
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Rising Mist, Pap of Glencoe
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Ballachulish
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Interior, Glasgow Art Club
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Interior with ceramics
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Approaching Rain, Seahouses, Northumberland
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Cranes at Greenock Tall Ships Festival
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Tron Church, West George Street
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The Dreel Church, Anstruther
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Kitchen Table
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Batterie de Cuisine (Kitchen Tools)
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Waiting for Tourists, Salzburg
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Standing around
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Concentration (Flautist)
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Recital
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Rapt
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Cellist
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Eaglesham
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Distant Highway
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Winter Fields, Perthshire
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Hills Above Pitlochry
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Harbour Terrace
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Rain, The Isles of Glencoe
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Winter Windowsill
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Ginger Jar & Plums
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Landscape composition
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Landscape collage
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The 'Thumb', Glencoe
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Leith Dock
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Harbour Street, Wexford
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Rhinns of Galloway
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Village Green, Sandhead
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Rain Again
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Lifting Cloud
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Portpatrick
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Balvicar Sound
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West Highland Light
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Low Tide, Anstruther
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Renovations near Trinity Tower, Glasgow
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Cart Horse
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Resting Cart Horse
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Between Events, Heavy Horse Show
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Clydesdale, Heavy Horse Show
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Canadian Percheron, waiting to be hitched
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Unhitched
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'Lightning', Heavy Horse Show
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Awaiting the carriage
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About to be hitched up
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Canadian Percheron
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Carriage Ponies, Salzburg
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Snow Polo, St. Moritz
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'Hay Wain', Pollok Estate
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Cloud Shadows, Cathkin Braes
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Winter Evening, Waterloo Street
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Polmadie Yard
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Dawn Garden
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Gloomy Day, Benderloch
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Norwegian Fiord Ponies
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Cityscape
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Glancing Sunlight, Cathkin Braes
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Cathkin Braes, Late Afternoon Light
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Lamplight Reflections
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The Page Turner
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Pretty Pony
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Heavy Horse I
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Blue Roan Shetland Pony
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Horse in Harness
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Saddled, Ready to Go
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Strawberry Roan Clydesdale
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Pony I
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Dappled Horse
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Standing Horse
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Royal Conservatoire Competition
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Portrait sitting (with hat)
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A Quick Sketch
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Song Recital
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Morning Recital, Opera Festival
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Handler and his Horse
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Dappled Grey
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Horses and Carriage II
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Horses and Carriage I
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Bruno, Dressed for the Show
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Patiently waiting
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Dressed for the Show
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Tall Ships Festival, Greenock I
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Tall Ships Festival, Greenock II
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Glasgow Street Scene
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Greek Thomson, Holmwood House
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Snuff Mill Road, Cathcart
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Racing Clouds, Perthshire
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Towards Loch Broom
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Sunlit Field, Gleneagles
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Low Cloud on the Hill
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Low Cloud, Perthshire (Pitlochry)
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Rolling Mist, Kinlochleven
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Between Showers, Kinlochleven
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Sunlit Pastures
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Study for Perthshire Landscape
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Alma Wolfson DA PAI
Low Mist, Pitlochry